Breaking away from what has become the traditional standards in English haiku, Sandbach creates new, fresh and exciting directions and possibilities for composition, expanding the English-language haiku poet's toolbox. His work plays with a wide range of subject matter: the metaphysical, astrology, fantasy, the surreal and the absurd, the mythological, fairy tales, alchemy, the imagination, the unusual and the strange, the subconscious, dreams, transformation, and the mythopoeic, as well as the natural world (the wild) and seasonal changes. As Ban'ya Natsuishi has noted before about Sanbach's work (Step Into Sky), his haiku are "spacious and cosmic." His work is also fearless, unafraid of delving deep within the heart/mind/spirit, or the the vast outer reaches of our universe, and therefore ourselves. Once there, he finds connections and moments, images and words, and brings them back to us through the beauty, simplicity and evanescence of haiku poems. He does not simply embrace Western poetry, poetics, art, literature, philosophy and religion, but not unlike Japanese gendai haiku poets of the 20th century attempts to elevate and spiritualize them by fusing the East and the West (as well as the North and South) together like an alchemist. John Sandbach's haiku challenge, surprise and delight, and exemplify the wisdom of Bash : "Haiku is for freedom."